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The Digital Maestro: HEMA Reconstruction in the Age of the Internet

by Alex Craddock | May 16, 2017 | CombatCon(versations)

For better or worse, the internet is here to stay. It lives in our pockets, on our TVs, and now, it has pervaded the realm of swordwork (and other martial arts of all kinds) in ways the previous generation probably never thought possible. Or at least, didn’t...

You Wish You Could Fight Like a Girl – Women in Combat

by Alex Craddock | April 17, 2017 | CombatCon(versations)

“You _____ like a girl!” The boilerplate insult of child sexism everywhere. At least, it used to be. The times they are a-changing. Finally. Sort of. Recently, I had the privilege of attending the Paddy Crean Workshop in Banff, Alberta, CA – the...

Imposter Syndrome – the Bane of Performers (and Instructors) Everywhere

by Alex Craddock | March 13, 2017 | CombatCon(versations)

There’s a particular feeling I get when I sit down to write a blog here. It’s not necessarily the same as stage fright, but I’m of the opinion it comes from a similar place. Putting something creative or opinion-based out into the world always comes...

Spotlight: Scott Brown on the Future of HEMA

by Alex Craddock | February 28, 2017 | CombatCon(versations)

Those who have been to CombatCon are familiar with the name. Scott Brown has been an influential voice in the HEMA community and has contributed much in recent years to the inclusion of historically and martially sound technique in stage and screen fighting through...

Subconscious vs Conscious Approval – Performing for Different Audiences

by Alex Craddock | February 1, 2017 | CombatCon(versations)

There is a terrible, terrible memory I have. It’s from early on in my physical performance career – I was choreographing my very first fight, and I thought it was just wonderful. It had showstopping moves, it had rhythm, it had all sorts of technical...

Conflict is Universal: How Actors Benefit from Fighting

by Alex Craddock | May 30, 2016 | CombatCon(versations)

So you’re an actor. You delve into the strange places that character development can take you, learning odd habits and adapting them into the tiny window we get to view your character through for the brief engagement we have with them in a play or a film....
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